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Friday 12 August 2011

Meenakshi Amman Temple

 


Meenakshi Amman Temple

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Meenakshi Amman Temple

View of theppakulam
Meenakshi Amman Temple is located in Tamil Nadu
Meenakshi Amman Temple
Location in Tamil Nadu
Coordinates: 9°55′10″N 78°07′10″E / 9.91944°N 78.11944°E / 9.91944; 78.11944Coordinates: 9°55′10″N 78°07′10″E / 9.91944°N 78.11944°E / 9.91944; 78.11944
Name
Proper name: Meenakshi Sundereshwara Temple or Meenakshi Amman Temple
Location
Country: India
State: Tamil Nadu
District: Madurai
Location: Madurai
Temple Details
Primary deity - God: Sundareswarar
Primary deity - Godess: Goddess Meenakshi (Parvati)
Pushkarani: Potramarai kulam
Poets: Sundarar
Appar
Manikkavacakar
Sambandar
Architecture and culture
Architectural styles: Dravidian architecture
History
Date built: Unknown
Website: [1] http://www.maduraimeenakshi.org
Meenakshi Sundareswarar Temple or Meenakshi Amman Temple (Tamil: மீனாட்சி அம்மன் கோவில்) is an historic Hindu temple located in the holy city of Madurai in India. It is dedicated to Lord Shiva - who is known here as Sundareswarar or Beautiful Lord- and his consort, Parvati who is known as Meenakshi. The temple forms the heart and lifeline of the 2500 year old city of Madurai. The complex houses 14 magnificent Gopurams or towers including two golden Gopurams for the main deities, that are elaborately sculptured and painted showing the architectural and sculpting skills of the ancient indian sthapathis. The temple is a significant symbol for the Tamil people, and has been mentioned since antiquity in Tamil literature, though the present structure is believed to have been built in 1600. The tallest temple tower is 51.9 metres (170 ft) high.[citation needed]

Contents

[edit] History

[edit] Legend

Vishnu hands over his sister Meenakshi to Shiva.
According to Hindu legend, in order to answer the prayers of the second Pandya king Malayadwaja Pandya and his wife Kanchanamalai, Goddess Parvati appeared out of the Holy Fire of the Putra Kameshti Yagna performed by the king. According to another legend, the goddess herself had given a boon to Kanchanamalai in one of her previous births that she will have the privilege of mothering the goddess. This girl, who came out of the holy fire had three breasts, to the king's shock. A voice from the heavens told him not to worry and added that the third breast would vanish as soon as the girl meets her future husband. The happy king named the girl as 'Tadaatagai' and brought her up. The girl did not have any realization of her birth and she grew up as a normal human girl. Being the heir to the throne after Malayadwaja, Tadaatagai was trained carefully in all the 64 sastras (fields of sciences), which includes warfare, too. As the time came when Tadaatagai should be coronated, according to the customs, she had to wage war on the three worlds across eight directions (Digvijayam). After conquering Satyaloka (Lord Brahma's Abode), Vaikuntha (Lord Vishnu's Abode) and Amaravati (the Divine Abode of the Devas), she advanced to Kailasha (Lord Siva's Abode). She very easily defeated the Bhoota ganas and Nandhi (the celestial bull of Lord Siva) and headed to attack and conquer Siva. No sooner than she looked at Lord Siva, she was unable to fight and bowed her head down due to shyness; the third breast vanished immediately.. Tadaatagai realized the reason and understood that Lord Siva is her destined husband. She also realized that she was the incarnation of Goddess Parvati. Both Lord Siva and Tadaathagai return to Madurai and the king arranged the coronation ceremony of his daughter, followed by her marriage with Lord Siva, the next day. The marriage was supposed to be the biggest event on earth, with the whole earth gathering near Madurai. Vishnu, the brother of Meenakshi, was traveling to preside over the marriage from his holy abode at Vaikuntam. Due to a divine play, he was tricked by God Indra and delayed on the way. Meanwhile, the marriage was presided over by a local god from Thirupparankundram Pavalaakanivaai Perumal. This is celebrated annually as 'Chitirai Thiruvizha' in Madurai. During the period of Nayakar rule in Madurai, the ruler Thirumalai Nayakar then linked the 'Azhakar Thiruvizha' and the 'Meenakshi Wedding'. Hence born the 'Azhaghar Thiruvizha' or 'Chithirai Thiruvizha'.
And the wedding lock for the lord Meenakshi for her wedding was specially made in Tirumangalam, the South town of Madurai District
File:Thirumangalam-meenakshi-amman.jpg
Thirumangalam Meenakshi Temple.

[edit] Modern history

The history of the original structure is not properly known, but Tamil literature speaks about the temple for the last couple of millennia. Thirugnanasambandar, the famous Hindu saint of Shaiva philosophy, mentioned this temple as early as the 7th century, and described the Lord as Aalavai Iraivan. The temple was believed to have been sacked by the infamous Muslim invader Malik Kafur in 1310 and all the ancient elements were destroyed. The initiative to rebuild the structure was taken by first Nayak King of Madurai Viswanatha Nayak (1559-1600 A.D.) under the supervision of Ariyanatha Mudaliar, the Prime Minister of the Nayak Dynasty and the founder of the Poligar System. Then came the most valuable contributions of King Thirumalai Nayak circa 1623 to 1659. He took considerable interest in erecting many Complexes (Veeravasantharayar Mandapam) inside and outside the temple and he built Vasantha Mandapa for celebrating vasanthorsavam and Kilikoottu Mandapam, corridors of Teppakulam etc., was built by Rani Mangammal. Meenakshi Nayakar Mandapam was built by Rani Meenakshi.
Wall Sculpture of Hanuman Swami at Madurai Temple
dess

[edit] The temple structure

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The temple is the geographic and ritual center of the ancient city of Madurai. The temple walls, streets and finally the city walls (ancient) were built around the temple in concentric squares. Ancient Tamil classics mention that the temple was the center of the city and the streets happened to be radiating out like the lotus and its petals. It is one of the few temples in Tamil Nadu to have four entrances facing four directions.
The complex is in around 45 acres (180,000 m2) and the temple is a massive structure measuring 254 by 237 meters. The temple is surrounded by 12 towers, the tallest of which, the famous Southern tower, rises to over 170 ft (52 m) high.[1]

[edit] Shrines

This temple is a complex of many deities. The Shiva shrine lies at the centre of the complex, suggesting that the ritual dominance of the goddess developed later. Outside the Shrine, lies huge sculpture of Ganesh carved of single stone and there is a shrine for a giant Ganesh temple, called the Mukuruny Vinayakar. This deity is believed to have been found during an excavation process to dig the temple lake. The Meenkashi shrine is on the left of the Shiva shrine and is sculpturally less valuable than the Shiva shrine.

[edit] Velli Ambalam

This is one of the five royal courts (Sabai or Sabha) where Lord Shiva is found as Nataraja, performing his Cosmic Dance. The Tamil word 'Velli' means Silver and 'Ambalam' means Stage or altar. This Shiva shrine also consists of an unusual sculpture of Nataraja. This massive Nataraja sculpture is enclosed in a huge silver altar and hence called 'Velli Ambalam' (The Silver abode). The famous Hindu marquee and a dancing form of Shiva that normally has his left foot raised, has his right foot raised in this temple. According to the Tiruvilayaadal Puranam, this is on the request of Rajasekara Pandya, who was a sincere devotee of Lord Shiva. He asked the Lord to change his position, as he felt that always keeping the same foot raised would put enormous stress on it, based on his personal experiments in dancing.
The Five Dance Courts of Lord Shiva in Tamil Nadu:
Sabha (Court) Place Deity made of
Ponnambalam/ Porsabai
Nataraja Temple, Chidambaram Gold
Chitra Sabai Kutraalanaathar Temple, Courtallam Painting
Ratna Sabai Vataaranyeswarar Temple, Thiruvaalangadu Gems
Rajata Sabai Meenakshi Sundareswarar Temple, Madurai Silver
Taamira Sabai Nellayappar Temple, Tirunelveli Copper

[edit] The lake Porthamarai

Porthamarai Kulam, the sacred pond inside the temple, is a very holy site for devotees. People go around the 165 ft (50 m) by 120 ft (37 m) lake before entering the main shrine. The name means the Pond with the Golden Lotus, and the lotus that grows in it has a golden color. According to legend, Lord Shiva promised a stork that no fish or other marine life would grow here and thus no marine animals are found in the lake.[2] In the Tamil legends, the lake is supposed to be a judge for judging a worth of a new literature. Thus, authors place their works here and the poorly written works are supposed to sink and the scholastic ones are supposed to float.

[edit] Thousand Pillar Hall

A section of the Thousand Pillar Hall in the morning.
Thousand Pillar hall of Madurai Meenakshi Amman temple was built with the oldest Nellaiappar Temple, Tirunelveli as a model. The Aayiram Kaal Mandapam or Thousand Pillar Hall contains 985 (instead of 1000) carved pillars. It is considered culturally important and is maintained by the Archaeological Survey of India. The Thousand Pillared Hall was built by Ariyanatha Mudaliar in 1569[3]. He was the Prime Minister and General of Viswanatha Nayak of the first Nayaka of Madurai (1559-1600 A.D.). He was also the founder of Poligar System, the quasi-feudal organization of the country, which was divided into multiple palayams or small provinces and each palayam was ruled by a palayakkarar or a petty chief[4]. At the entrance of the Mandapam, we can still see his statue; the majestic pose of Ariyanatha Mudaliar seated on a beautiful horse-back which flanks one side of the entrance to the temple. The statue is still periodically crowned with garlands by modern worshippers[3]. Each pillar is carved and is a monument of the Dravidian sculpture. There is a Temple Art Museum in the hall where icons, photographs, drawings, and other exhibits of the 1200 years old history are displayed. Just outside this mandapam, towards the west, are the Musical Pillars. Each pillar, when struck, produces a different musical note. The kalyana mandapa, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chithirai Festival in mid-April.

[edit] Ashta Shakthi Mandapam

This is the first hall in the entrance of Meenakshi shrine tower near to East Tower. The hall carry the statues of eight goddesses and hence the name. At present we could find many shops selling pooja items in this hall.

[edit] Festivals

The most important festival associated with the temple is the Meenakshi Thirukalyanam (The divine marriage of Meenkashi) that is celebrated in April every year. During that one month period, in which most Tamil Nadu temples celebrate their annual festivals, there are a number of events including the Ther Thiruvizhah (Chariot festival) and Theppa Thiruvizhah (Float festival) are celebrated. Apart from this, major Hindu festivals like Navrathri, Shivrathri are celebrated in a grand manner. Like most Shakti temples in Tamil Nadu, the Fridays during the Tamil months of Aadi (July 15 - Aug 17) and Thai (Jan 15 to Feb 15) are popularly celebrated with thousands of devotees thronging to the temple. In every Tamil month some festive occasions will happen in the temple like Aavani Urchavam, Maarghazi Urchavam, Navaraathri, etc. Like Meenakshi Thirukalyanam Festival, Avani Moola Utsavam is also the major important festival in Meenakshi Amman Temple. This is a 10-day festival mainly devoted to Lord Sundareswarar which describes His various leelai a.k.a. Thiruvilayadal performed in Madurai city to save His devotees from distractions and problems..

[edit] Current status

The towers of the temple were covered in scaffolding for repainting till March 2009. The work was completed in early April 2009 by numerous Temple craftsmen who abstained from a number of vices to be eligible to undertake the work. Also most of the archaeological retrieval work on the paintings, walls, scriptures, statues inside the temple were completed on a war-footing. The Temple adorns a very fresh look now.
The temple consecration (Kumbabhishekam) took place on Wednesday, April 8, 2009 between 9:00 am and 9:45 am by 300 Sivachariars in a grand fashion.

[edit] See also






|| Sree Meenakshi Temple Page I || Page II || Picture Gallery ||

|| Kubabisheka Pictures ||
|| TempleLayout ||

The enormous temple complex is dedicated to Shiva, known here as Sundareshvara and his consort Parvati or Meenakshi. The original temple was built by Kulasekara Pandya, but the entire credit for making the temple as splendid as it is today goes to the Nayaks. The Nayaks ruled Madurai from the 16th to the 18th century and left a majestic imprint of their rule in the Meenakshi - Sundareswarar Temple.

The temple complex is within a high-walled enclosure, at the core
of which are the two sanctums for meenakshi and Sundareshwara, surrounded by a number of smaller shrines and grand pillared halls. Especially impressive are the 12 gopuras. Their soaring towers rise from solid granite bases, and are covered with stucco figures of dieties, mythical animals and monsters painted in vivid colours.

Temple Towers
There are 12 temple towers(Gopurams). The outer towers are the landmarks of Madurai. They are: 
  • East Tower (Nine Storeys). Height 161'3". This Gopura has 1011 sudhai figures. 
  • South Tower (Nine Storeys). Height 170'6". This Tower has 1511 sudhai figures. 
  • West Tower (Nine Storeys). Height 163'3". This Tower has 1124 sudhai figures. 
  • North Tower (Nine Storeys). Height 160'6". This Tower has  lesser figures of sudhai than other outer towers. 

Gopura
Pyramidal gates(gopuras) rise to a height of more than 50m. These towering gateways indicate the entrance to the temple complex at the four cardinal points, while lesser gopuras lead to the sanctums of the main dieties.

Stucco Work
The figures of dieties on the tower are repaired, repainted and ritually reconsecrated every 12 years.

Ashta Shakthi Mandapam    
A visitor who enters the temple through the eastern gateway, first enters this Mandapam(Hall). It was built by Thirumalai Nayakar's wives Rudrapathi Ammal and Tholimamai. In this hall food was once  distributed to the devotees who came from far off places. Next to this hall is the Meenakshi Nayaka Mandapa, a spacious columned hall used for shops and stores. This hall has a votive lamp-holder with 1,008 lamps, which are lit on festive occasions and present a spectacular sight. The sculptures on the pillars here relate some of Lord Shiva's Thiruvilayadals (miracles) and also the story of  Meenakshi's birth and her life as the princess of Madurai. 
The story descripted on the stones is as follows: 
Malayadwaja Pandya, a king of Madurai , was childless for a long time. He performed a number of yagnas (sacrifices made before a sacred fire) because he wanted an heir to his throne. On one occasion, a three-year-old girl came out of the fire and Malayadwaja adopted her. But the girl had three breasts and this worried Malayadwaja. However, a divine voice assured him that the third breast would disappear as soon as she met her consort. The girl grew into a brave and beautiful princess. she won many battles, but eventually lost her heart to Lord Shiva, when she met him on the battle-field in Kailas. As soon as she saw him, her third breast disappeared and she recognized her divine consort, for the princess was none other than Shiva's wife, Parvathi. After ruling over the Pandya kingdom for a while, they settled in the Madurai temple as Meenakshi and Sundareswarar

Meenakshi Nayakkar Mandapam    
This big hall is adjacent to Ashta Shakthi Mandapam, consisting of 110 pillars carrying the figures of a peculiar animal with a lion's body , and an elephant's head called Yalli. 

Potramaraikulam (golden lotus tank)    
This temple tank  is an ancient tank where devotees take bath in the holy water. The area around this tank was the meeting place of the TamilSangam - the ancient academy of poets. The history of the sangam goes back to the days when gods dallied with men. This academy judged the worth of any work of literature presented before it by throwing it into the tank. Only those that did not sink were considered worthy of attention. The tank is surrounded by a pillared corridor. Steps lead down to the tank, enabling worshippers to take bathe in it.  

Oonjal  Mandapam      
The Oonjal (swing) Mandapam and Killikoontu (parrot cage) Mandapam are on the western side of the tank. Every Friday, the golden idols of Meenakshi and Sundareswarar are seated on the swing in the Oonjal Mandapam and hymns are sung as the deities gaily swing to and fro. The parrots in the Kilikoontu Mandapam have been trained to repeat Meenakshi's  name. But more interesting are the 28 pillars of the mandapam which exhibit some excellent Sculptures of figures from Hindu mythology. 

Swami Sundareswarar Shrine    
Lord Sundareswarar (Shiva) the consort of Goddess Meenakshi is to the north of Kilikoontu Mandapam . On your way you can worship a gigantic idol of Sri Ganesh called Mukkurini Pillaiyar. When the king Thirumalai Nayakar excavated a temple tank 3 km from Meenakshi temple he unearthed this idol of Vinayaka and erected the same here. 
In the outer pragaram (corridor outside the main shrine) there is stump of the kadamba tree, which is said to be a part of the same tree under which Indra worshipped Shiva linga. Also in the outer corridor there are the Kadambathadi Mandapam and big hall called 'Velli Ambalam'. Here, an idol of Nataraja (Shiva as the Lord  of Dance)  is seen. This idol of Nataraja is covered with silver leaves. Hence this hall is named as Velli Ambalam (Silver Hall).. 

The Thousand Pillar Mandapam    
It is the 'wonder of the palace'. Actually the number of  pillars count to 985 beautifully decorated columns. Each pillar is sculptured and is a monument of the Dravidan sculpture. There is a Temple Art Museum in this 1000 pillars hall where you can see icons, photographs, drawings, etc., exhibiting the 1200 years old history. There are so many other smaller and bigger mandapams in the temple.

Just outside this mandapam ,towards the west, are the Musical Pillars. Each pillar when stuck, produces a different musical note. The kalyana mandapa, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chitirai Festival in mid- April.

Vasantha Mandapam    
This mandapam was built by Thirumalai Nayakkar. Vasanthosavam - the  Spring festival-is celebrated in this mandapam in Vaikasi (April/May). Its pillars contain elaborate sculptures of Shiva, Meenakshi, scenes from their wedding as well as the figures of ten of the Nayak Kings and their consorts. This is also called Pudhu Mandapam

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